BRUNEL UNIVERSITY JITSU CLUB | |||
Terminology |
| A | |
| ASHI | Leg, foot. |
| ASHIWAZA | Leg/foot technique. |
| ATAMA | Head. |
| ATE | Strike, hit. |
| ATEMIWAZA | Hitting or punching technique. |
| AYUMI ASHI | A manner of walking in which each foot leads the other successively. |
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| B | |
| BOKKEN | Wooden practice sword about 40 inches in length. |
| BUDO | Military arts/concepts. |
| BUJITSU | Martial arts (all inclusive) |
| BUSHI | A knight of feudal Japan (a social class). |
| BUSHIDO | The moral ethical code of the Bushi, formulated originally c.14th century. |
| BUTSUKARI | See UCHIKOMI. |
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| C | |
| CHITSAI | Small. |
| CHIKARA | Strength. |
| CHUI | A caution (penalty equivalent to 5 points). |
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| D | |
| DAN | 'Leader', grade, generally Black Belt. |
| DE | (v.DERU) - To come out, to advance. (e.g. de ashi harai). |
| DO | (a) Way, path, etc. This word was used
frequently in Chinese and Japanese philosophy in the
sense of the way of doing an act in the moral and
ethical spheres well as the simple physical. Professor
Kano 'borrowed' it from these sources. (b) Trunk of the body. |
| DOJO | Hall or room in which judo is practised. |
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| E | |
| ERI | Collar, of a jacket. |
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| F | |
| FUSEGIKATA | Method, form, of defending. |
| FUSEGU | To defend. |
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| G | |
| GAKE-(v. KAKERU) | To hang, hook, block. |
| GARAMI-(v. GARAMU) | To entangle, wrap, bend. |
| GARI | Reap (e.g o soto gari = major outer reap). |
| GEDAN | Lower level - used for arm locks and kicks/punches |
| GENKI | Energetic, lively, active. |
| GONOKATA | Forms of strength. |
| GOSHINJITSU | The art of self-protection (in all its forms). |
| GYAKU | Reserve, upside down. |
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| H | |
| HA | Wing. |
| HADAKA | Naked. |
| HAIRIKATA | The way of entering for a (technique). |
| HAJIME | Start, referee's call to commence a contest. |
| HANE | Spring (e.g hane goshi = spring hip). |
| HANSOKU | Disqualification (penalty ; equivalent to ten points). |
| HANTAI | To oppose. |
| HANTEI | Judgement, the referee's call at the end of a drawn contest calling on the corner judges to indicate who in their opinion was the better of the two contestants. |
| HARA | Stomach. |
| HARAI (BARAI) (v. HARU) | Sweep. |
| HIDARI | Left. |
| HIJI/EMPI | Elbow. |
| HIKI-(v. HIKU) | Pull. |
| HISHIGE-(v. HISHIGU) | To crush, squash, smash. |
| HIZA | Knee. |
| HON | (a) Point (see Ippon); ultimate score awarded in a contest. (b) Basic. (c) Number suffix for counting long cylindrical objects, therefore Ippon seoi nage = one arm shoulder throw. |
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| I | |
| ICHI | One (when counting). |
| IPPON | One point (score value of ten points). |
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| J | |
| JI | A Japanese ideograph. |
| JIGOTAI | Defensive posture. |
| JIKAN | Time out (the referee's instruction to the timekeeper when a break or pause in the contest is necessary). |
| JITSU (JIUTSU or JUTSU) | Art. |
| JODAN | High level or Upper - used for arm locks and kicks/punches. |
| JOSEKI | The place in a dojo or hall where the seniors of VIP's sit. |
| JU | (a) Soft, gentle. This word is a word taken
from Taoist philosophy and embodies the opposite
of hard, extreme, unreasonable. Hence the use of
ju in Judo does not imply soft (as a synonym of
easy), but rather reasonable, efficient. Physical
action in judo is not meant to be easy (weak) so
much as economic, by using the body to its best
advantage and taking active advantage of any and
all weaknesses the opponent may offer, so that
maximum effect can be attained with maximum
efficiency. (b) Ten. |
| JUNOKATA | The forms of 'gentleness'. Showing the principles of 'giving way'. |
| JUSHIN | Centre of gravity. |
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| K | |
| KAESHI (GAESHI) | To counter (e.g o soto gaeshi = major outer-counter). |
| KAESHIWAZA | Counter techniques. |
| KAKE | The point of the throw, the point of maximum power. |
| KAI (KWAI) | Society, club. |
| KAKU (GAKU) | An angle. |
| KAMI | (a) Upper, top. (b) Paper. (c) God(s). |
| KAMIZA | 'Upper seat'; the instructor's side of the DOJO. |
| KANSETSU | A joint, articulation. |
| KANSETSUWAZA | Technique of locking limb joints. |
| KAO | Face. |
| KARATE | (Literally empty handed) a system of fighting without weapons, striking with the hand, feet, elbows, etc. |
| KARATEDO | The 'way' of karate. |
| KARUI | Light. |
| KATA | (a) Form. A stylized set of techniques used to develop the performer's posture, balance and appreciation of
the various judo techniques. (b) One side. (c) Shoulder (e.g. kata guruma = shoulder wheel). |
| KATANA | Samurai sword. |
| KATAI | Hard. |
| KATAME (GATAME) (v. KATEMERU) | To harden, tighten , hold (e.g. kata gatame = shoulder hold. |
| KATSU (or KAPPO) | Methods of resuscitation. |
| KEIKO | Practise. |
| KEIKOKU | Warning (penalty; equivalent to 7 points). |
| KEMPO | A method of fighting, similar to boxing. |
| KEN | Sword. |
| KENDO | The 'way' of the sword (japanese two handed fencing). |
| KENDOGU | General equipment for practising kendo. |
| KERU | To kick. |
| KESA | A Buddhist monk's surplice, worn diagonally across the body. Thus there is the technique known as kesagatame but which in free translation into English is referred to as scarf hold. |
| KI | Psychic energy said to be centred in the SAIKATANDEN. |
| KIAI | A shout used to harden the body and strengthen the will when maximum effort is required. |
| KIME (v. KAKERU) | To decide. |
| KIMENOKATA | Forms of decision, which is the kata of self-protection. |
| KIRI (v. KIRU) | Cut, as with a knife. |
| KO | (a) small, minor (e.g. ko uchi gari = minor inner reap). (b) Old ancient. (c) Lecture, study, think. |
| KODOKAN | The headquarters of judo in Japan (Tokyo). |
| KOKA | A score, almost a yuko (value of score; 3 points). |
| KOSHI (GOSHI) | Hips, (e.g. koshi waza = hip techniques). |
| KOSHIKINOKATA | The forms of the old style. All techniques are supposed to be performed in armour. |
| KUBI | Neck. |
| KUMIKATA | Method of holding the judogi. |
| KURUMA (GURUMA) | (a) Wheel (e.g. o guruma = major wheel). (b) Vehicle. |
| KUZURE (v. KUZURERU) | To crumble, collapse, break-down. Thus a free translation of kuzurekesagatame would be broken scarfhold. |
| KUZUSHI | The balance broken. |
| KYU | A 'student' grade. |
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| L | |
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| M | |
| MA | Exact, just, absolutely. |
| MACHI-DOJO | Back-street gymnasium. |
| MAE | Front. |
| MAKIKOMI | To wrap or roll up, to throw by rolling oneself so that the opponent is whipped off his feet. |
| MANAKA | Centre. |
| MASUTEMIWAZA | Technique whereby the performer (tori) falls straight on to his back. |
| MATA | The inside top of the thigh. |
| MATTA | Wait, break. |
| MAWARI (v. MAWARU) | To turn round. |
| MEIJIN | Expert, master. |
| MI | Body (human). |
| MIGI | Right (as opposed to left). |
| MIZU | Water. |
| MOMO | Thigh. |
| MON | Gate, junior grade. |
| MOROTE | Both hands, two hands (e.g. morote seoi nage = both hands shoulder throw). |
| MUNE | Chest. |
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| N | |
| NAGE (v. NAGERU) | To throw (e.g. nage waza = throwing techniques). |
| NAGENOKATA | The forms of throwing. 15 selected throws executed both left and right to train the participants in body control and appreciation of judo technique. |
| NAME | Wave (of water). |
| NAMI (v. NARUBERU) | To place in a line, range in a row. |
| NEREI | Kneeling bow. |
| NEWAZA | Technique done in a lying down position. |
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| O | |
| O | Big, Large, Major (e.g. o uchi gari = major inner reap). |
| OBI | Belt. |
| OKII | Big. |
| OKURI (v. OKURU) | To send forward (e.g. okuri eri jime = sliding lapel neck-lock). |
| OSAEKOMI | Holding (e.g. osaekomi waza = holding technique(s)). Referee's call signalling to the timekeeper that a hold is effective. |
| OSHI (v. OSU) | To push. |
| OTOSHI (v. OTOSU) | To drop (e.g. tai otoshi = body drop). |
| OWARI | The end. |
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| P | |
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| Q | |
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| R | |
| RANDORI | Free practice. |
| REI | Bow. |
| RENRAKU | Connection, contact. |
| RENRAKUWAZA | Combination technique. |
| RENSHU | To practise. |
| RENZOKUWAZA | Comprehensive name for throws linked up in anyway. |
| RITSUREI | Standing bow. |
| RONIN | An unretained Samurai warrior. |
| RYOTE | Two hands. |
| RYU | School. Attached to most of the names of the old jiujitsu systems (e.g. Kito Ryu). |
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| S | |
| SAIKATANDEN | The lower abdomen. |
| SAMURAI | A knight of feudal Japan (a social class). (see Bushi). |
| SASAI | To support, prop (e.g. sasai tsuri komi ashi = propping drawing ankle). |
| SEI RYOKU SENYO | The principle of maximum efficiency in the use of mind and body. |
| SENAKA | The back (of a body). |
| SENSEI | Teacher, senior. |
| SENSHU | A competitor, champion. |
| SEOI (v. SEOU) | To carry on the back (e.g. seoi nage). |
| SEPPUKU | The Bushi method of committing suicide. Normally erroneously called 'harakiri'. |
| SHIAI | Contest. |
| SHIAIJO | Contest area. |
| SHIDO | Note (penalty; equivalent to 3 points). |
| SHIHAN | Master, past-master, founder. |
| SHIHO | Four quarters, four directions. |
| SHIKI | Style, ceremony. |
| SHIME (JIME) (v. SHIMERU) | To tighten, strangle. |
| SHIMEWAZA | Technique of neck-locking. |
| SHIMOZA | 'Lower seat'; the ordinary members' side of the DOJO. |
| SHISEI | Posture. |
| SHITA | Below, underneath. |
| SHIZEN | Nature. |
| SHIZENTAI | Natural (upright) posture. |
| SODE | Sleeve. |
| SONOMAMA | Freeze, do not move. |
| SORE MADE | Referee's command: that is all finish. |
| SOTO | Outside, outer (e.g. o soto gari = major outer reap). |
| SUKUI (v.SUKUKU) | To scoop up. |
| SUMI | Corner. |
| SUTEMI (v.SUTERU) | To throw away. |
| SUTEMIWAZA | Technique whereby the attacker throws away his own body, sacrifices his own posture. |
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| T | |
| TACHI (v. TATSU) | To stand. |
| TACHIWAZA | Technique done in the standing position. |
| TAI | Body. |
| TAI SABAKI | Body movement. |
| TAISO | Physical exercise. |
| TANI | Valley (e.g. tani otoshi = valley drop). |
| TANTO | Knife. |
| TATAMI | Rice straw mats used in dojos and japanese houses. |
| TATE | Vertical. |
| TE | Hand (e.g. te waza = hand techniques). |
| TEKUBI | Wrist. |
| TOKETA | Hold broken, A command given by a referee to indicate to the timekeeper, the contestants and the onlookers generally that a contestant has effectively broken the hold by which he was being secured. |
| TOKUI | Favourite, special (e.g. tokui waza = favourite technique). |
| TOMOE | Turning over, twisting over, whirling over. It is difficult to find the exact translation in English but tomoenage freely translated is commonly known in English as - stomach throw. |
| TORI (v.TORU) | (a) The name used often in technical explanation for the person who throws. (b) To grasp, to hold in the hands. |
| TSUGI ASHI | A manner of walking in which one foot leads at each step and the other never passes it. |
| TSUKURI | The action of breaking the opponent's balance. |
| TSURI | To 'fish up' (e.g. tsuri komi = to 'fish', lift up and pull forward). |
| TSUYOI | Strong. |
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| U | |
| UCHIKOMI (v.UTSU) | To beat against. A repetitive exercise where the throwing technique is taken to point of kake. |
| UDE | Arm. |
| UE | Above, on top of. |
| UKE (v. UKERU) | To take. The name used often in technical explanations for the person who is thrown. |
| UKEMI | The 'breakfall'. |
| UKI (v. UKU) | To float. Buoyant. |
| URA | Back, rear, reverse. |
| USHIRO | Behind, back of (e.g. ushiro goshi = back of hip). |
| UTSURI (v. UTSURU) | To change, move (e.g. utsuri goshi = changing hip). |
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| V | |
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| W | |
| WAKARE (v. WAKARU) | To divide, separate (e.g. yoko wakare = side separation). |
| WAZA | Technique. |
| WAZA-ARI | A score, almost an ippon (score value of 7 points). |
| WARA-ARI AWASETE IPPON | Ippon achieved by having scored two WAZA-ARIs. |
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| X | |
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| Y | |
| YAMA | Mountain. |
| YOKO | Side (e.g. yoko sutemi waza - a sacrifice throw with the attacker falling onto his side in order to execute the technique). |
| YOSHI | Carry on. A referee's instruction to contestant to carry on with the contest. |
| YOWAI | Weak. |
| YUBI | Finger or toe. |
| YUKO | A score, almost WAZA-ARI (score value of 5 points). |
| YUSEIGACHI | A win by superiority. |
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| Z | |
| ZAZEN | Sitting meditation. |
| ZORI | Toe grip straw sandals. |
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